Skip to content

voyeur and exhibitionist

daya dissanayake

“Every writer, without exception, is a masochist, a sadist, a peeping Tom, an exhibitionist, a narcissist, an injustice collector and a depressed person constantly haunted by fears of unproductivity.”- said Edmund Bergler, the psychoanalyst who has been called “one of the few original minds among the followers of Freud.”

A psychoanalyst could have his own opinion, but not many writers would agree with him, at least not completely. His description could also apply to almost everyone on earth, from a doctor to a farmer, an engineer to a sculptor, a businessman to a soldier. Among all the human weaknesses mentioned by Bergler, perhaps a writer could be called an exhibitionist and a voyeur.

“For every voyeur there’s an exhibitionist, and for every exhibitionist a voyeur”: That’s the lucky equation in Alberto Moravia’s novel, “The Voyeur.”

“Moravia suggests that novels are like keyholes. Novelists are voyeurs, he says, and so, often, are characters within their narratives. Of course, readers are voyeurs as well, peering over the novelist’s shoulder: Moravia is just too polite to say so.” says a Los Angeles based critic, Susan Slocum Hinerfeld.

“Miller’s true importance is not as a pioneer of free expression but as an exhibitionist of the soul, and lies in the triumph of one man over chaos that is achieved in an ironic collusion with chaos.” American novelist Steve Erickson had said about Henry Miller.

Rushdie has been called a writer who had become an exhibitionist with words, “a serial creator of self-delighting sentences” wrote Alok Rai in Outlook.

The Tameri Guide for Writers, states, “Writing is intellectual and emotional exhibitionism.” and advices “If you do not want others to know your thoughts, you should not be a writer.”

These are all the opinions of the critics, and many readers may not agree with Alok Rai or Hinerfield, in the same way a writer would not agree with Bergler. All writers do not follow the Tameri Guide.

It is unfortunate that the terms ‘exhibitionism’ and ‘voyeurism’ have been associated with sexual perversions and as a psychopathological condition. Exhibitionism in a broader sense could be explained as the revelation of one’s mind, and when it is sometimes exaggerated or inappropriate or when used to dominate social interactions, it is considered psychological or psychic exhibitionism. And it is also good business for psychiatrists.

Exhibitionism is found in nature, among all life forms, as we see in the peacock, and the lion too comes to our mind immediately, and so does the rose and the lotus. The male animals do it to attract a female partner and the flowers to attract the bees and the butterflies.

Thus writes James Hartley, a Landscape architect”…the shameless exhibitionism of the more flamboyant summer plants to the exclusion of all others. These summer showmen, which often are far more demanding than their more subtle counterparts, seduce you, but can leave you wanting at the end of the year.” .

It is only among mankind that the role has been reversed and the female has been compelled to attract the male. Probably that is why the human male has become perhaps the ugliest male creature in the animal kingdom, and why he covers his body and is always fully clothed, when the woman is trying to wear minimum clothing. And this could be the reason for man to exhibit himself in other arenas, in technology and arts.

Exhibitionism has been defined as extravagant and conspicuous behavior intended to attract attention to oneself. It is not only actors and singers who resort to this, because their survival sometimes depends on attracting attention to themselves. Even among businessmen, sometimes it would be necessary to flaunt one’s wealth to get an edge on a business deal, or convince a client of his financial standings. Like wearing a most expensive brand of a wristwatch, while never keeping to a time schedule, or keeping the latest fastest desktop computer on the desk, beside an iPad, but getting the secretary to read and respond to one’s e-mails.

A writer or a painter too sometimes needs to attract attention to himself, because in today’s world of commerce, often one has to sell oneself to sell one’s creative works. Musical stars and actors could be sometimes exposing themselves on stage or on camera, and they can always blame it on ‘wardrobe failure’ and get away with it. Most writers today are compelled to become an exhibitionist in order to sell himself to a publisher or a literary agent, and then to the reading public. An artist has to sell himself to an art gallery, the actor to a producer.

Vanity Publishing is the term used from about the mid 20th century, for self-published writing, paying their own money for it, assuming it is because of their vanity. Hence vanity publishing, for vainglory, too could be considered as exhibitionism.

Autobiography, is considered as a literary art form mostly in the West, perhaps because the exhibitionist tendency was more common in the Western culture.

There are books openly considered as narcissistic/exhibitionist autobiographies beginning with ‘Confessions’ by Jean-Jacques Rousseau, ‘The Sexual Life of Catherine M’ by Catherine Millet, or ‘The Story of My Life’ by Giacomo Girolamo Casanova de Seingalt, and ‘My Life and Loves’ by Frank Harris.

We have the works of D. H. Lawrence and Donatien Alphonse François, Marquis de Sade, and later authors like Harold Robbins who exhibited their sexual fantasies to the public, making the reader to be the voyeur, and they could be called advertently exhibitionist.

If not for voyeurism, narcissism and exhibitionism, writers would not have anything to write about, or singers to sing about, or cinematographers to film about.

Don’t let the sun go down

Nawalowa Nawahiru’ was the title given by Bandara Eheliyagoda to the biography of Deshamanya H.K. Dharmadasa. I had the good fortune to translate the book into English, with the title ‘Son of the Soil’.

 

Bandara Eheliyagoda was able to take us through the life of ‘Nawaloka Mudalali’, from his early years in his village, Sultanagoda, to Peliyagoda, from Dharme, to Kalu Mahattaya to Deshamanya H. K. Dharmadasa. Eheliyagoda also take us through the social, economic and political development in our country.

 

‘Nawaloka’ was the name he decided upon for the small restaurant he began at Peliyagoda, and made it a household name in whatever business he ventured into. Many people have heard of his arrival in the city with only seventy five cents in his hand, and built up his business empire.

 

Anyone who reads the biography will be able to empathize with Deshamanya Dharmadasa, and we can also understand how he empathized with the people around him, the people who came to him for help. Eheliyagoda repeatedly mentioned how Nawaloka Mudalali’s left hand did not know what his right hand was giving away.

 

His contribution to the field of arts began with the production of the film ‘Hatara Maha Nidanaya’. In the film, there was a heart rending scene of a cattle slaughter. In the background was a song by Milton Perera, which had been composed by Karunaratne Abeysekara. The song was about how we drink the cow’s milk, get all the work done pulling a cart or ploughing the fields, and in the end sell the cow for slaughter.

 

‘Hatara Kendare’ his next film attracted Buddhists from all over the country, from remote villages, people who had never seen a movie, because it gave them an opportunity to see all the sacred Buddhist sites in India, an opportunity they could not even dream of. It was a genuine attempt to enable our people to make the Indian pilgrimage at least through the film, which was a most meritorious deed at a time when films were produced with the intention of making a quick profit.

 

Though the films, ‘Hatara Maha Nidhanaya’, ‘Hatara Kendare’ and ‘Hatara Peraliya’ were produced by H.K. Dharmadasa his name did not appear anywhere in the films.

 

‘It is not your name, but what you have done, that should remain. If a job is done well, the name will also remain’ he would always say.

 

To bring entertainment to our people he produced ‘Abuddassa Kale’, with the comedian from Kelaniya, H. D. Wijedasa. ‘Wasana’ and ‘Ihatha Athmaya’ by K. A. W. Perera were also produced by Dharmadasa mudalali.

 

Every film carried a massage, in addition to the entertainment offered. A good example was the song by Nanda Malini in the film ‘Ihata Athmaya’. The lyrics were by Karunaratne Abeysekara. It was a song to rouse the patriotic feelings of our nation.

 

“Reminding us of the philanthropists in our ancient books like Saddharmalankaraya, he has won the acclaim of our people as the modern-day Anatha Pindika, after the wealthy financier of Savaththi during the time of the Buddha. If there ever is a living symbol of the power of merit to win heavenly abodes in the next lives, it is Deshamanya H. K. Dharmadasa. The Wesak pandals erected by him depicting the Jataka Stories established his identity as a great Sinhala Buddhist businessman. Who else could have been able to erect such beautiful pandals continuously for over half a century?” Hon. W. J. M. Lokubanadara commented in the introduction to ‘Nawalowa Nawa Hiru’.

 

We always take pride in our cultural values, and the life of Nawaloka Mudalali is one very good example of such practices in real life. It has shown the very close association between the temple and the village, between the monk and the peasant, which he developed further to a relationship between the monk and the businessman. It also shows the very close bond between family and close family friends, how they help each other. How Piyadasa aiya and Manamperi (Meegamuwe Mudalali) helped the young Dharmadasa when he first came to the city, and how Dharmadasa mudalali in turn helped his own people, his relatives and the youth from his village.

 

The South of Sri Lanka has always produced great men, in almost every field, and Deshamanya Hewa Komanage Dharmadasa will be the name to go down in history as the great man in the field of business and philanthropy to have come from the South.

 

Nawaloka Mudalali’s grandson Udesh Dharmadasa had this to say on the day the biography, ‘Nawalowa Navahiru’ was launched. “You are the source of light for us. An honour for your family. A blessing to all of us. A treasure for our country.”

 

Even though the Sun has gone down, the light and warmth he cast on the New World he created is with us today and will be with us tomorrow. Not only his six children, seventeen grand children and seventeen great-grand children, but all the thousands of people who had known him, worked with him, learned from him, will continue to keep the light and warmth always.

 

So let us not let the Sun go down, let us ensure the he remains the light not only for his family but also to all his countrymen and all humanity.

Bulgari Connection

“…white gold and pavé diamonds, cold metal intricately, beautifully worked, lain heavily against the cool, moist flesh of wrist and throat”. This is not a line from a jewellery advertisement, but from Fay Weldon’s novel, ‘Bulgari Connection”. The novel is also an advertisement and the copy was written by Weldon, paid for by Bulgari, the jewellery and watch maker. It is claimed that she had to use the brand name Bulgari at least twelve times in the story, and she was paid £18,000 for doing it.

There were many comments on the book, as probably the first attempt by a popular novelist to use her skills to promote a commodity in the guise of a novel. It could be that Weldon had copywriting too in her blood, at least she had the exposure and experience at Ogilvy and Mather (advertising agency).

Letty Cottin Pogrebin, president of the Authors Guild, had called it the “billboarding of the novel”, and one blogger used the term “Vulgari”.

The danger here for the literary world is that even Weldon's agent, Giles Gordon, had said that he loved the idea. "Does it matter if you are paid by a publisher or paid by an Italian jewelry firm?" he said. He added that he would recommend product placements to other clients, too. The current crop of "chick lit" novels and memoirs about the lives of young women offers potential for touting vodka, cigarettes, clothing and other brands, he said. "The sky is the limit."

Before Weldon’s book came out in 2001, the novel had remained unsullied by advertising, except perhaps for ‘Power City’. Beth Ann Herman had received a $15,000 party at the Wilshire Maserati dealership in Beverly Hills for her new novel about the ‘’sizzling, unforgiving world” of Hollywood public relations, she featured a Maserati whose ”V-6 engine had two turbochargers, 185 horsepower and got up to 60 in under 7 seconds.” Randall Rothenberg also claims that “She also won a window display of her book from Giorgio, the luxury-goods shop in Beverly Hills, for mentioning the store as one of the ”opulent temptations of Rodeo Drive.” (New York Times Jan 13, 1989).

Before Herman, there had been other writers. There were allegations that Jules Verne had been paid by shipping companies to get their brands embedded in ‘Around the World in Eighty Days’ which was serialized in 1873. Melanie Lynne Hauser had used a Proctor & Gamble housecleaning product in her Super Mom series, just because she needed to mention a known brand, which had prompted P&G to promote her series.

Hemingway had used brand advertising for self-promotion. He had appeared in an advertisement for Ballantine Ale, for Pan American Airlines and even for Parker 51. “Great success is not possible without a certain degree of shamelessness, and even of out-and-out charlatanism.” Marie-henri Beyle (Stendhal) had said. Herodotus had paid for his own book tour in 440 B.C. Tony Perrottet quotes from Balzac “that it was standard practice in Paris to bribe editors and critics with cash and lavish dinners to secure review space, while the city was plastered with loud posters advertising new releases. In 1887, Guy de Maupassant sent up a hot-air balloon over the Seine with the name of his latest short story, “Le Horla,” painted on its side. In 1884, Maurice Barrès hired men to wear sandwich boards promoting his literary review, Les Taches d’Encre. In 1932, Colette created her own line of cosmetics sold through a Paris store.” (New York Times 29/4/2011)

It is a very common practice today to use ‘embedded marketing’ or ‘branded entertainment’ in television programs and tele-dramas, where the helpless viewer cannot escape the propaganda. It had begun in the days of the silent films, with a Hershey’s chocolate in the film ‘Wings’ (1927) and Wrigley’s chewing gum in the film ‘M’ (1932).

‘Soap Opera’ came to stay with us as soap makers P&G, Levers and Colgate began sponsoring radio plays, even long before the arrival of television. Today the ’soap opera’ is replaced by ‘reality shows’.

How long could the novel survive, without been taken over by big business and their advertising organizations? How long would it be before literary agents would have to go after advertising agencies to get a publishing contract for their authors?

Herodotus to Weldon they were all using their creativity to write what they wanted, and once written they had to find readers for their works. They had to build up an awareness about their works and also an image about themselves. Some of them also wanted to earn a living. Who could judge their actions and decide if it was right or wrong?

In Europe and in the Asian countries the artists, poets and writers had royal patronage, or the support of the church or big merchant families. No one criticized them for that. King Saul was a patron of the arts who commissioned certain songs from the lyre of David, and David himself became a patron of the arts during his long reign as king.

There is a bright side too, to this development. This could boost book sales, revive the reading habit as its side effect. Copywriting too needs creativity, the ability to empathize with the targeted consumers. They have to create attractive, catchy, precise dialogue for their television advertisements, create story lines that could reach the consumer and forceful enough to develop brand loyalty for their clients. These copywriters could have an opportunity to write novels and short stories, while novelists turn to copywriting through their novels. The two professions could merge.

 

i copy therefore i am

The Art of Copying, a Fundamental part of Life

 

Man is an idiot. He doesn’t know how to do anything without copying, without imitating, without plagiarizing, without aping.” Augusto Roa Bastos, (1913-2005), noted Paraguayan novelist had said.

“…copying is pervasive in contemporary culture….copying is a fundamental part of being human, …we would not be human without copying…….is a part of how the universe functions and manifests…”. I copied this from Marcus Boom’s ‘In Praise of Copying’ (Harvard 2010). And I copied the entire book free, from the internet.

 

“All creative work is derivative. human culture evolves through copying.” said Nina Paley, Artist in Residence at QuestionCopyright.org. “The whole history of human culture evolves through copying, making tiny transformations (sometimes called “errors”) with each replication. Copying is the engine of cultural progress. It is not “stealing.” It is, in fact, quite beautiful, and leads to a cultural diversity that inspires awe.”

 

There is a Latin phrase, “Nihi sub sole novum“. There is nothing new under the sun. “ut nihil ne- que dictum neque factum, quod non est dictum et factum prius”. There is nothing which is said or done, which has not been said or done previously.

 

Gabrielle Kennedy reported on the Copy/Culture Symposium which was held in Berlin last month, where designers and philosophers and Media personnel exchanged views on copying and reproducing designs and creative works and technology. Henk Oosterling of Erasmus University Rotterdam had summed up that “copyright culture makes no sense…. China has little need to protect copyright of others…”. Nicolas Bourriaud “…. removing one’s ego from the work and understanding that once a product is released, it is no longer the designer’s. Ownership becomes ambiguous”.

 

The Danish artists SUPERFLEX (Rasmus Nielsen, Jakob Fenger and Bjørnstjerne Christiansen) have used open source concept in real life situations. They have opened the ‘Copyshop’ where they use ‘Copy Right’, the consumer’s right to customize rightfully purchased products. ‘Supercopy’ is where a customer creates a new original from an existing copy product.

 

‘Creative Commons’, founded in 2001, with a mission to “provide a free, public, and standardized infrastructure that creates a balance between the reality of the internet and the reality of copyright laws”, because they believe that “the Internet is a multiplier of cultural innovation”

 

Man has always copied from nature. He copied nature in his earliest cave paintings, in his sculptures and probably in his music and dance, and we continue to do so. Our own ‘Vannam’ dance forms were copied from the dance of animals. Our scientists continue to study animal behaviour to use them in their technology, they study the chemical composition of plants and animals to develop new medical products.

 

Copying has been and will always be a part of human nature, and it is a human right. It is only when commercial interests overtake nature that attempts are made to stifle copying, that Copyright laws are formulated, to safeguard commercial interests. Such laws benefit only big business, and not the poor powerless creative artist. That is how Mickey Mouse earns over $ 3 billion a year by extending the period of copyright, and has been enjoying the monopoly since 1923. Even the song “Happy Birthday to you” is copyrighted till 2030 in the U.S. and in 1990 it was valued at US $ 5 million, unauthorized public performances of the song are technically illegal unless royalties are paid for it. In one specific instance in February 2010, the royalty was said to amount to $700.

 

If there had been a copyright and patent law from the earliest times, the man who first discovered fire would have held on to it, without sharing it, so would the man who discovered/invented the wheel. It would have delayed cultural ‘development’ and man’s ‘progress’ by a few thousand years.

 

“Borrowing is ubiquitous, inevitable, and, most importantly, good. Contrary to the romantic notion that true genius inheres in creating something completely new, genius is often better described as opening up new meanings on well-trodden themes. Leonard Bernstein’s reworking of Romeo and Juliet, in West Side Story is a good example.” (Chris Sprigman, Counsel to an Antitrust Group in Washington, D.C)

All our mass media depend on copying news and features from other media. When one television channel begins a new program which catches on fast, every other channel copies it, without any hesitation.

We copy our clothes, our food habits our music and paintings from other cultures. We copy our religious rituals and practices and even beliefs from other religions.

 

Thomas Jefferson believed that all art should belong to the public. For him, the public domain was a large, thriving democracy, while copyright was a fat king thousands of miles away eating puddings and meat pies. He was against copyright and said himself, “Inventions then cannot, in nature, be a subject of property,” but finally had agreed to compromise and include the issue of patents (and, by interpretation, copyright law) in the Constitution. (Lloyd Kaufman with Sara Antill)

“He who receives an idea from me, receives instruction himself without lessening mine; as he who lights his taper at mine, receives light without darkening me.” Though Jefferson was a slave owner, he had probably not considered creative works as property to be owned.

 

“As we look ahead, the field of openness is approaching a critical mass of adoption that could result in sharing becoming a default standard for the many works that were previously made available only under the all-rights-reserved framework. Even more exciting is the potential increase in global welfare from the use of Creative Commons’ tools and the increasing relevance of openness to the discourse of culture, education and innovation policy.” (Introduction to ‘The Power of Open’)

 

Let all ideas and all knowledge be free and openly accessible to all mankind.

Serendipity

trial & error and serendipity, zemblanity, bahramdipity

Some words could never, or are almost impossible to, be translated to any other language. One such word is Serendipity, not as the ancient name for Lanka, but as the term now in use for the faculty or phenomenon of finding valuable or agreeable things not sought for.

 

John Barth, the American novelist, in his book, ‘The Lost Voyage of Somebody the Sailor’ (1991), had said, “— you don’t reach Serendib by plotting a course for it. You have to set out in good faith for elsewhere and lose your bearings … serendipitously.”

Most discoveries by man had probably been serendipitous. Most countries could be called serendipity, if we accept John Barth’s definition. Even our own country, would have been discovered serendipitously when man was spreading our from Africa. Fire would have been discovered in the same way, when man saw a forest fire, or when he noticed that sparks, that flew off when he was making his stone tools, could ignite a dry leaf.

Ananda W. P. Guruge, diplomat, professor and author, decided on the title ‘Serendipity of Andrew George’ for his sequel to ‘Free at Last in Paradise’. In the closing chapter, when the title was discussed among Andrew’s friends, several suggestions had been made, but “the christening of the book reached a serendipitous climax amidst much laughter”.

Richard Boyle in 2008 published ‘Sindbad in Serendib: Strange Tales and Curious Aspects of Sri Lanka’. Perhaps we could say that Boyle’s arrival in Sri Lanka in 1976 was also serendipitous. He retells the legend ‘The Three Princes of Serendip’ and how the word inspired the “greatest letter writer of his era”, Horace Walpole (1717-1797), coin the word Serendipity. In ‘Serendipity: How the Vogue word became Vague’, Boyle’s review of ‘The Travels and Adventures of Serendipity’ by Robert K. Merton and Elinor Barber, he says ’serendipity’ has suffered grievous corruption of meaning”. In the same article Boyle also wrote “The demise of serendipity is no better illustrated than in Sri Lanka, where so many travel-related advertisements and guidebooks use the extremely tenuous association between the island and serendipity with varying degrees of ineptitude.”

It is so sad that sometimes we forget that we live on an island which is truly serendipitous, and that we need not go in search of any more serendipitous land anywhere on earth. Reading Guruge or Boyle could remind us about the glory and serenity of this wonderful country, which could be a serendipitous discovery for all those who criticise our country without knowing anything about it, or based on false propaganda.

Very often when a new word is coined, very soon antonyms appear, sometimes playing a bigger role than the original word, like Zemblanity which did not get into common usage, probably because it was linked with failures, rather than with success.

William Boyd, the award winning novelist from Scotland had coined the term ‘zemblanity’ to mean the “making unhappy, unlucky and expected discoveries occurring by design”. Novaya Zembla, aka Novaya Zemlya, is a cold desolate island to the North of Russia, near the Arctic ocean, and so different from the warm sunny Sri Lanka. It was on this island that William Barentz, the Dutch navigator was stranded.

The term Bahramdipity however had been used more often, because it refers to the suppression of serendipitous discoveries, which has happened all over the world, throughout history. The name comes from the Persian king Bahram Gur, who received the Three Princes of Serendip. Bahramdipity has been used to suppress knowledge and information, for political, religious and commercial reasons, which have almost always been for the selfish gain of a few.

‘Against the Tide. A Critical Review by Scientists of How Physics and Astronomy Get Done’, by Martin Lopez Corredoria and Castro Perelman (Eds.), is a book where scientists present how scientific data are suppressed and the “illicit, shameful censorship” by science journals. Allegra Goodman’s ‘Intuition’ which won the Orange Prize 2009, describes the suppression of data in cancer research. The novel is not just simple fiction, but is based on what is happening today.

In Stalinist Russia Trofim Lysenko, with his political success was able to suppress all genetic and biological research, which were claimed to be ‘bourgeois pseudoscience’, and many scientists executed or imprisoned. Lysenkoism was the name given to this suppression in the Soviet Union, and later on to Neo-Lysenkoism, which too could be considered an antonym for serendipitous developments.

Today unfortunately even serendipitous discoveries in scientific and technological fields are controlled by global business conglomerates. A silver lining is beginning to appear over the dark clouds of bahramdipity, with the arrival of the internet. Suppression is not easy today, because there are enough opportunities to publish a new artistic creation, a new discovery in science or medicine.

In our own Serendipity, the initial discovery by king Kasyapa, could be considered serendipitous, “setting up camp in the village of Abhivardhamana….saw in the southern direction a solitary mass of rock looming high over the horizon”, and then the rediscovery of Sigiri by Major Forbes in 1831, and also the discovery by Prof. Senarath Paranavithana of the ‘Paramparapusthaka’ by Ananda sthavira, and the ‘interlinear inscriptions’. Then could we consider the suppression or lack of interest in further research of Prof. Paranavithana’s ‘Story of Sigiri’ as an act of bahramdipity?

Let us hope that someday soon serendipitous discoveries would be able to overcome all bahramdiptious acts to reveal the truth of our past to us.

culture vs. nature

Culture is departure from nature. It has been the way throughout man’s history. Man, Homo sapiens would have lived with nature till he became Homo symbolicus and then Homo eastheticus.

 

Every step man took in the name of progress and advancement of his culture was a step further away from nature, yet man has not been able to define his own culture. Alfred Kroeber and Clyde Kluckohn had compiled a list of 164 definitions of “culture”. (Culture: A Critical Review of Concepts and Definitions. quoted in Wikipedia).

 

When man enjoyed fresh fruits and leaves from the plant life around him he was living with nature. He departed from nature when he began to roast, burn and later boil his food. When man enjoyed the beauty of his surroundings he was with nature. When he began to alter his surroundings as his easthetic senses “developed” he began to interfere with nature. When he enjoyed the music of nature he belonged to nature. With his departure from nature, when he no longer could enjoy the music of nature, he had to create his own music. It was the same with art, though at first he is supposed to have used it as Homo symbolicus.

 

“Writing, art, music, dance, and other forms of symbol creations and manipulations reveal the very human process of giving meaning to the experience of life.” wrote Cognitive psychologist Ronald T. Kellogg in his ‘Psychology of Writing’.

 

Ellen Dissanayake, considers that “Art is a normal and necessary behavior of human beings”, introducingHomo eastheticus, in her book of the same title. At the IFRAO Congress 2010, she had described a behavior of art more precisely as “making the ordinary extraordinary.” The ordinary body (skin, hair), natural surroundings (e.g., cave walls, rock outcroppings, boulders, logs, pieces of stone), and common artifacts (e.g., tools, utensils, house walls, canoes) are made special by cultural shaping and elaboration that make these more than ordinary. She had introduced the term “artification,” for this activity.

 

We could also interpret artification as interference with nature to make unnatural surroundings.

 

When we talk of our own culture, now we have fresh evidence of our “pre-historic” period, about human settlements dating back nearly 4000 years, 1750 B.C. to be exact. It has been confirmed by C14 dating that the ancient canoe burial site at Haldummula is 3850 years old. The “elite’ house discovered at Ranchamadama has a date of 1359 B.C. This has been revealed in Professor Raj Somadeva’s “Archaeology of the Uda Walave Basin”, released in June 2011.

 

At Udaranchamadama, near Udawalawe, Somadeva and his team discovered the remains of a foundation of a house with a porch, inner chamber and a backyard with a kitchen. Among the artefacts found here were clay beads and even a kohl stick. He has brought forward the idea that our ancestors could have been the first to use iron implements.

 

These settlements around the Walave basin could also be the period when the Ravana dynasty ruled Lanka. We cannot rule out Ravana as a mythical figure. Those who deny his existence are confused with the Ravana in the Ramayana and they do not wish to see Ravana the great physician.

 

 

How do we measure cultural advancement? The presence of beads and kohl sticks show that the people used to dress themselves up, tended to wear ornaments. Who wore them, the children, the community leaders or elders, the women only or both men and women? This leads to another question, when did the human female begin to adorn herself to attract the male of the species? When did she deviate from the other animals? Among most species, it is the male that has to attract the female. he has to work so had at it, his body and appearance is all designed to attract the female.

 

If the Udaranchamadama residents had inherited the characteristics of Homo eastheticus, then there should have been other art forms among them, paintings, music, sculpture. Somadeva found a terracotta figurine (in his own words, “probably a manifestation of a stylized bull”). There could have been other figurines. Religious or artistic is a matter we cannot be certain of, but there may not have been a significant difference between easthetic and religious objects. There should also have been paintings, since ancient man in our country too had made drawings on cave walls, which we can still find at places like ‘Tharulengala in Hulannuge. They could not have been of any religious significance, but an easthetic expression of their surroundings, according to Somadeva.

 

What did the families who lived at Udaranchamadama do in the evenings, did they narrate stories, first their own experiences or what they had heard from their parents and grandparents, and then stories that some of them may have made up. Since it is possible that they had some form of religious worship, there would have been chants and prayers, which would have made them develop music, both to accompany the chanting and also as a separate offering.

 

Perhaps Somadeva and his team would be able to tell us more about our ancestor, who had lived here over the past 40,000 years, when he explores the remains of a pre-historic settlement at Haldummulla next month, and through his study of our pre-historic cave paintings. He would be able to tell us more about Homo eastheticus and Homo symbolicus, or he may even be able to present to us a more complex human ancestor.

Music in the clouds

Paul McCartney is planning to have his complete music library in the clouds. Once this ambitious project is completed, any music lover could select his music ‘out of thin air’.

According to CNN reports, McCartney, the former Beatles legend, is having all his music digitized. It is estimated that it will take about three years to convert more than one million tracks, clips, and photos into computer readable format.

This is where technology has begun to serve the musician and the music lover. And soon, it will be not only the music lovers, but all connoisseurs of all forms of Art.

If we call this a silver lining in cloud computing then there are also those who see the dark cloud behind the silver lining. They see the threat of misuse and violation of copyright, which is anyway happening already.

A ‘cloud’ was the image used to represent the Internet or some large networked environment, which probablygave rise to the term cloud computing, or distributed computing. We no longer need to carry all our documents, information, reports in the hard disk of our computer or in flash drives, but we simply store them in the ‘clouds’, a service which we can make use of from anywhere through any computer or android phone.

Almost all of us are already into cloud computing when we use web based e-mail accounts, and when we use the e-books in the British Council library, by moving into our own ‘bookshelf’.

It could also be considered as similar to using banks today to store our money, so that we do not have to carry it around with us. Today we have our cash deposited in a bank branch, but withdraw it from any bank, any teller machine or make payment from anywhere in the world, which is made still easier with tele-banking.

In music we have been enjoying iTunes for a decade now, since 2001. Apple calls it a free application to organize and play digital music and video on a computer, which is now available for more portable equipment like iPods, iPhones and iPads. It was called the “world’s best and easiest to use ‘jukebox’ software”, and available for free download.

Amazon has the Cloud Drive. Your personal hard drive in the cloud. Store your music, videos, photos, and documents on Amazon’s secure servers. All you need is a web browser to upload, download, and access your files from any computer. Amazon offers 5 GB of free storage—enough space to store up to 1000 songs, 2,000 photos and 20 minutes HD video. Now Apple has come out with their own iCloud, offering almost the same terms as Amazon.

Cloud Music is a long way from the tinfoil recording of ‘Mary’s Little Lamb’ by Thomas Alva Edison in 1877. Clement Ader introduced the flat-disc gramophone in 1887 and one year later Edison introduced the electric motor driven phonograph. In 1895 it was Marconi who transmitted radio signals wirelessly.

A major breakthrough was in 1928 by Harry Nyquist, which became the foundation for the conversion of analog sound to digital.

Music had been enjoyed by man for at least the past 50,000 years, probably pre-dating language and the written word. The oldest known musical instrument the “Divje baby flute”, carved out of a bone, is 40,000 years old. since then, up to the time that music could be recorded and played back, all music had been ‘live’. It was the live performance that was enjoyed, sometimes a solo presentation, sometimes by a small group, and sometimes, where the audience too joined in. This music was made use of by all religions for their worship, prayers and appeals and probably helped in the development of early music.

Music had been the common language among mankind, appealing to all irrespective of race, creed, caste or language, and unrestricted by time, space, political and physical boundaries. And today with the cloud music, it has truly become universal.

Listening to music played back from a primitive music record, would not have attracted many people. There would have been much criticism. People would have often rejected the recorded music, because it was nowhere near what they enjoyed live. But they would have continued to listen to the recordings, because of its convenience. Day by day, with all the new technology, the quality of the recordings would have increased, and with the arrival of the compact cassette, music became portable. One could carry his music everywhere, with the only limitation of the storage capacity.

Once man got used to it, listening to recorded sound would have seemed more intimate, than listening to the music amidst a crowd.

We move from printed books to e-books, which we read on our phone or e-book reader, and then onto audio books, while engaged in some routine task. We do not have to physically visit a library or have our own home library. In the same way we will be moving on to listening to our songs, without keeping them in our own storage systems.

We could call it real progress when all such music, as well as all our books are freely available (through the Copyleft concept) on the clouds.

genes, memes and arts spots

Dr. Dean Hamer, director of gene structure and regulation unit at U.S. National Cancer Institute, wrote a book about the ‘God Gene’, trying to identify a gene responsible for religious beliefs. He was attacked by Barbara J. King, Professor of Anthropology, University of Oklahoma,  who said that “Hamer needs to find a gene for recognizing fiction masquerading as science”. This made me think that there could be a gene responsible for fiction and other works of art.

 

Could there be different genes in the human constitution, enabling some people to create fiction, others to paint or compose music? Or could there be an Arts Spot in the brain? After all scientists like Vilayanur Ramachandran from the University of California, San Diego have been searching for a ‘God Spot’ in the brain which controls religious faith. If so why not an Arts Spot?

 

On the subject of music, David Huron, Professor of Music, Ohio State University, suggests that a “Music Gene” would have in existed very early in the history of mankind, as the oldest known musical instrument the “Divje baby flute”, carved out of a bone, is 40,000 years old.

 

The thirst for knowledge and to find explanations for anything and everything is a part of human nature, which is probably the influence of another gene. Only some of this knowledge is useful to mankind, while some can be used to harm ourselves and others.

 

The U.S. government ran a Human Genome Project (HGP), to identify the 20,000 to 25,000 genes in human DNA, spending US$ 2.7 billion. Genes hold the information to build and maintain the cells in our bodies and pass genetic traits to our children. The HGP study poses many questions, due to the threat of misuse or exploitation of the data gathered. One of the goals of the HGP is to transfer “related technologies” to the private sector. What if a scientist or a business organization patents the creativity gene, and what if they claim royalty or patent rights for any novel, a painting or a song created by a person carrying this gene? Currently over three million genome-related patent applications have been filed.

 

At the same time other scientists are trying to map the brain, to find which part of the brain is responsible for each action or emotion. Neuroesthetics is a new term coined in 2002 for the scientific study of the neural bases for the contemplation and creation of a work of art.

 

University of Arizona neuroscientist Charles Higgins says “the idea of monitoring and influencing consciousness with a physical neural interphase is the most plausible”. He was commenting on the sci-fi thriller, ‘Source Code’, where a computer program enables one person to cross over into another man’s mind. There is on-going research to develop equipment for mind reading. This could enable someone to steal a new creative idea from an artiste and get away with it, because the victim would not be able to establish a claim.

 

Man is developing technology to enable the human brain to control his computers and his machines. He would soon be able to communicate on social networks like twitter or facebook, directly by the brain. This technology perhaps could be used by others, to hack into the human brain, like they hack into computer systems today. Then the hackers could take over our brains and our lives.

 

If genes are not responsible for creative works of fiction, art or music, then perhaps ‘Memes’ are responsible. Richard Dawkins used the term ‘Meme’ in his 1976 book ‘The Selfish Gene’, to mean a contagious information pattern that replicates by symbiotically infecting human minds and altering their behavior, causing them to propagate the pattern. Meme Central defines the meme as “the basic building blocks of our minds and culture, in the same way that genes are the basic building blocks of biological life.” Genes leap from body to body, while memes leap from brain to brain.

 

According to Liane M. Gabora, a research fellow at UCLA, memes, unlike genes, do not come packaged with instructions for replication. The brain plays with the memes, suggesting that creativity is strategic – not random.

 

All these developments bring up a horrifying vision that in the very near future artistic creativity will be monitored and controlled by scientists, and their instruments, in their laboratories. Whether they are called Memes or Genes or Spots in the brain, scientists are trying to interfere with nature and with human freedom, in the name of progress.

 

If we can Genetically Modify plants today, there is no doubt that scientists in the near future could Genetically Modify human beings too. ( a genetically modified human embryo has already been created by researchers at Cornell in 2007, which they claim was destroyed after a few days). They could soon be making military personnel to fight our wars, and cricketers to win our matches. Further manipulation could make the human being to be pre-programmed to create what the scientists, or those who are paying the scientists, wanted. Needless to say, they could also make creative writers, poets, artists or musicians.

 

What would be the fate of creative arts in the future?

Be Peaceful & Useful

The concept of “Dhammic Socialism” was introduced by Ajahn Buddhadasa. He defined Dhammic as being “Peaceful” and “Useful” and Socialism as serving our society selflessly.

Anyone who can be at peace with the universe, and be useful is a true follower of the Dhamma. Dhamma is the universal truth, which was realized by the Buddha, and He showed us the way to realize it by ourselves. The path to that realization is the Dhamma.We have to respect the Buddha and be grateful for showing us this path.

The best way to show our respect and gratitude is by trying to follow the path. That is all he would have expected of mankind, on this day when it is 2600 years since the Buddha attained enlightenment.

Today we are so confused with so much information, which has no direct concern with the Buddha’s teachings, that there are many among us who have not realized what this anniversary is. We find some Buddhists calling it the Buddha’s birthday, others calling it the day of Parinibbana because the Buddhist Era begins on that day. According to the Buddhist calendar this year is 2554 B.E. We have already celebrated 2500 B.E. and 2550 B.E.

What we need to contemplate on the Sambuddhatva Jayanti is about the teachings we received 2600 years ago and also about the teacher. Birthdays and anniversaries and celebrations are a part of our materialistic life, part of our social customs and habits. Celebrations, with decorations, lights, and sounds and processions will only distract us and let Mara lead us astray. This distraction is made worse by the labels we attach to ourselves and use of symbols and elaborate descriptions. We forget the significance of this day, by making it a religious occasion.

To be peaceful and useful we do not need to resort to traditional forms of religious worship. Dhamma is beyond religion. We cannot seek release from Dukka by religious observances, because today these practices only bring more dukka. Our attention is drawn to the ritualistic rules and our concern to follow the correct procedures. Our greed is enhanced when we strive to perform such rituals better than others, and our envy is aroused when someone else does better, offers more flowers, lights more lamps, donates more money and material. When someone builds a taller or bigger temple or statue, it only creates a senseless competition, which does not benefit man or beast or Mother Earth, it would only deplete more of our natural resources. It takes away our happiness and it leads us down dead-ends, and leads us away from the Path.

The Noble Eightfold Path is open to any sentient creature, irrespective of his race, creed or caste. The realization of the Four Noble Truths will lead us to ultimate happiness.

Till such time we can still be happy, to some extent. We are happy when we are satisfied with what we have. To be satisfied we need to know when to say enough. If we do not form attachments to material wealth or impermanent life forms, they cannot deprive us of our happiness when the attachment is broken. Our happiness goes away when we are disappointed. If we can accept a failure or a loss, when we realize nothing is permanent. Then we can retain our happiness.

We believe a Buddhist is a person who seeks the refuge of the Triple Gem who observes the Five Precepts. The refuge of the Triple Gem has today become a meaningless greeting as an attempt to ape the Western concept of ‘May God Bless You’, which has a meaning only for a person who believes and has faith in God.

The Five Precepts have become an empty ritual recitation, preceded by the seeking of refuge with the Triple Gem. Observation of the Five Precepts is hardly seen today, among many of those who claim to be Buddhists. All Five Precepts are broken every day, by most people who recite it, and they break them without any feeling of guilt or remorse, and hardly any thought at all. Consumption of alcohol and flesh of dead creatures is going up day by day. Taking what is not given, or what does not belong to us is also increasing. We take what is not given to us, by fraud or by force. Family values are deteriorating and sexual misconduct is seen openly and with no regard to social norms or existing laws. In order to cover up all these inhuman and anti-social activities, we have to resort to falsehoods and suppression of the truth.

To follow the Path shown us by the Buddha, and to be “Useful” and “Peaceful”, we really do not need the Five Precepts or any such guidelines. We do not need rules and regulations to be laid down by a religion, by the society or by the State. True discipline is what comes from within ourselves. Unfortunately, even during the time of the Buddha, there were a few Bhikkhus who strayed from the path and Vinaya rules had to be laid down. We claim to be the most advanced intelligent animal form on Mother Earth, if such a claim is true, then we should be able to realize what is right and wrong, what is beneficial and what is harmful to ourselves and to others and live accordingly.

All this has been discussed over and over, for the past 2600 years. Man is aware of the problem, but he does not want to accept it. He does not want to give up his tanha (craving), even though he knows tanha leads to dukka. Man is aware that craving for more wealth, more power, more sensual pleasure only leads to more grief. But he clings on, while pretending that he wants to find an end to his dukka. Man knows attachment brings only grief, but he is forever looking for more attachments. He knows that life is dukka, that life only brings more suffering. He knows that in today’s world, in today’s society there is more and more suffering. Yet knowing this he brings forth more children, knowing that they will probably suffer more. We have to think again if the need for children is more a selfish desire and peer pressure.

Man studies the Tripitaka. Listens to the Sutra and to sermons, day in and day out. He listens to the explanations, and to examples from the Jataka stories, but all that ends up like water over an upturned vessel, or a vessel full of sewage. When man offers flowers at the feet of the Buddha statue and recites the gatha of offering the flower, he does not contemplate on the meaning and purpose of the offering. If he did, he would not try to offer a million flowers.

Man is taking a greater interest in meditation than ever before, yet meditation does not help most of the people who seek it, because they cannot and do not want to let go of all the confusion in their minds. They want to continue their labours to fulfill their cravings and still seek temporary solace from meditation, believing it would strengthen their mind and body, in the same manner an athlete would take a performance enhancing drug. The purpose of meditation should be to rid ourselves of avijja (ignorance) and tanha.

On this great occasion, let us stop deceiving ourselves and everyone else. Let us contemplate on the teaching of the Buddha, instead of reciting it mechanically. Let us try to be Peaceful and Useful.

Buddhism in India

from the Daily News Wesak Annual, 2011

“As the most creative social philosopher in our history, Buddha has symbolized an alternative of possibilities of organizing society, an alternative to the hierarchical and inegalitarian principles of Brahminism”. Wrote Prof. Uma Chakravarti, commenting on Kancha Ilaiah’s book, “God as Political Philosopher, Buddha’s Challenge to Brahmanism”.
There are many people inside and outside India who try to believe that Buddhism has disappeared from India. But Buddhism has been known and practiced from the time of the Buddha and will continue to be of religious importance in India, even if they did not have the neo-Buddhist revival initiated by Dr Ambedkar. Buddhism has only been absorbed to some extent into the greater Indian popular religion which is now known as Hinduism, the same way that in Sri Lanka, the other Indian religions were absorbed into the popular religion known and accepted as Sinhala Buddhism.
Kancha Ilaiah in his book has tried to study Gautama Buddha as a political thinker, and Buddhism as a school that emerged to challenge contemporary Hindu society and its hegemonic ideology of Brahmanism. He also claims that Buddha was the forerunner of all political thinkers, in the East and West, pre dating Manu, Kautilya, even Confucius, Socrates, Plato and Aristotle. Looking at the issue from his viewpoint there is never a question of Buddhism as a religion disappearing from any country.
The problem we face today is that we have been brainwashed by people like Max Muller, by interpreting the Eastern beliefs and practices from their Christian point of view and also because they had their own agenda. The Christian educated Anthropologists and sociologists could not label the Indians either as polytheistic or monotheistic. Because to them there is either one Supreme Being or there are many Gods. They probably could not or did not want to accept that their term God could not explain the Indian concept of Absolute Reality or Infinite Principle, the Western Languages were too poor to express the philosophy of the East.
One example is Max Weber’s “Religion of India”, where he treats Buddhism in the same lines as Jainism, grouping them together into one chapter as the two great heterodoxies. Weber admits that “Buddhism diffused to all areas of India; Jainism to considerable portions of India”. But in the very next paragraph he begins, “This was only transitory. Although Buddhism later completely disappeared from India, it developed into a world religion…” Here he has created two myths, one that it disappeared from India and the other that Buddhism became a world “Religion”. Because Muller and Weber did not understand the Buddha’s teachings, they grouped it under other religions, as the West knew it. The Oxford Dictionary defines Religion as a “particular system of faith and worship” and “human recognition of superhuman controlling power and specially of a personal God or Gods entitles to obedience and worship”. By categorizing Buddhism as a religion they very conveniently made Buddhism to be absorbed into the new Hinduism.
That is probably why Romila Thapar had to say, “Buddhism was not just another religion. It was the result of a more widespread movement towards change which affected many aspects of life from personal beliefs to social ideas”. (Asoka and the Decline of the Mauryas).
We have to read this alongside “What the Buddha Taught” by Walpola Rahula. “Among the founders of religions the Buddha (if we are permitted to call him the founder of a religion in the popular sense of the term) was the only teacher who did not claim to be other than a human being, pure and simple. Other teachers were either God, or his incarnations in different forms, or inspired by him.” He also said “Man’s position, according to Buddhism, is supreme. Man is his own master, and there is no higher being or power that sits in judgment over his destiny.”
Even for a native Indian it would be very difficult to identify and isolate a pure or orthodox Indian religion. Hinduism is considered the oldest religion in the world and the third largest. But there are major basic differences with all other world religions. Hinduism as we know it today is of recent origin, and it is a politicized term to engulf all Indian popular religions. The term Hinduism had first been used as a geographical reference, and then to the inhabitants of the land across the Sindhu, and still later to mean all the people in India other than Christians and Muslims.
Hinduism stands alone as a religion without a Prophet, it is difficult to group orthodox and heterodox sects and there is also no conversion. Instead of converting people of other faiths, they just absorbed the entire community to become a sect within the Hindu society. Hinduism could be seen as a huge ocean, into which numerous rivers flow, and once the river waters mingle in the ocean, we cannot distinguish water from one river and another. It will all taste the same.
Religious compromise was the way the Brahmanical sects continued to retain their supremacy. By the end of the 1st millennium, local cults with new social groups led to the development of the Puranaic religion, and more popular Vedic deities were subordinated by Vishnu and Shiva. The Bhakti cults developed from Saivisim and Vishnuism and also the “sramanic religions’ of Buddhism and Jainism. The ritual of sacrifice had by then developed into the worship of icons, as practiced by the Buddhists. Bhakti cult is said to have spread from about the 12th century, from South India and spread Northwards, after the decline of Buddhism in the South. They also have the concept of ‘Ishta Devata’, the worship of a personal god, where they tend to concentrate their prayers on one deity or a small group of deities, though most devotees are ‘polytheistic’.
The numerous small cults all over India gradually merged into much larger religious communities ending up as Hinduism as we know it today, with a multiplicity of beliefs and interpretations, unlike in any other religion. This evolution was not a linear progression, with new sects branching off, according to Thapar. “It is rather a mosaic of distinct cults, deities, sects and ideas and the adjusting, juxtaposing and distancing of these to existing ones. New deities could be created and linked genealogically to existing ones.”
There is a school of thought which says Advaita Vedanta is ‘Buddhism in disguise’. Advaita (Non-dualism) asserts that the real essential identity of the Jiva is nothing other than Brahman itself. Swami Vivekananda has stated “during the decline of Buddhism in India, Hinduism took from her a few cardinal tenets of conduct and made them her own, and these have now come to be known as Vaishnavism”. Prof. M. D. Nalawade, former Head of the History Department, Pune University has stated, “the walks of people in the ancient times from one sect or religion to another, from native religion to Vedic, Vedic to non-Vedic religions, that is Buddhism and Jainism, and then back to Mixed-Vedic or Brahmanical religion, although outwardly have changed them in adopting different religious names, and ultimately, the Brahmanism, popularly called Hinduism, they continued to practice many of the customs and traditions they liked most and were most difficult for them to unalienate. And to their convenience Brahmins have very skillfully converted Buddhist forms of worship and prayers quite in consonance to Brahmanical or Hindu ideals.”
Prof. Nalawade also claims that vegetarianism came to India only from Buddhism, and that pre-Buddhist India saw the practice of animal sacrifice and that vegetarianism was not known among the Vedic Indians. He also claims that in pre-Buddhist times the cow was never a sacred animal and Brahmins of those days were very fond of the flesh of the cow. He says that Buddha was the first saviour of cows in India. The concept of Ahimsa was absorbed into Hinduism from Buddhism and Jainism, even though it had been briefly mentioned in the Upanishads.
It is accepted by most Indian scholars today that the worship of icons, images and symbols had been revived by the Buddhists and Jains in India, although the origins could be traced to Pre-Vedic Harappan culture which had disappeared during the early Brahmanic period. According to L. M. Joshi, visiting holy places (Tirtha Yatra) had also originated with the Buddhists. He says that the first image that was manufactured in India for the purpose of worship was that of the Buddha. Most of the Buddhist shrines in Andra Pradesh, as it happened all over India, had been converted for Brahmanical worship with the decline of Buddhism in India.
There are many such examples found all over India. In Badrinath “the original Buddha image is still worshipped as that of Vishnu”. Even the temple at Buddha Gaya had been in the hands of Mahanta Shaivites till about the end of the 19th century. L. M. Joshi also claims that the Puranas were written mainly to claim Buddhist places of worship. He says “not only Buddhist holy places and shrines were occupied and transformed into Hindu Tirthas and devalayas and the occupation of non-Brahmanical places and sanctuaries were strengthened by invented myth or pseudo-history (purana), but the best elements of Buddhist culture, including the Buddha, were appropriated and homologized in sacred books”. He also states that Tantrik Buddhism started in South India and Potalka Parvata as the early seat of the origin of Vajrayana (L. M. Joshi, Studies in Buddhistic Culture, 1977)
The eminent surgeon turned Indologist, K. Jamanadas has attempted to prove that the idol at Tirupathi is that of Avalokitheshvara Bodhisatva, in his book, ‘Tirupati Balaji was a Buddhist Shrine’.
Swami Vivekananda believed that the Jagannatha temple of Puri (in Orissa) is an old Buddhist temple, though it is now claimed to have been built by Chodaganga Dev in the 12th century. Vithoba (or Vitahala) of Pandharpur in Maharashtra has been identified as the Buddha by R. C. Dhere. The image is accepted by many as the ninth avatar of Vishnu. Dr. Ambedkar also believed that Vithala was really an image of the Buddha. Lord Ayyappa shrine at Sabarimala, a remote village on the Western Ghats in Kerala, is also believed to be an ancient Buddhist shrine, though the Ayyappans believe it to be of Hariharaputra, the son of Vishnu and Shiva. Yet the devotees still chant “Swamiye saranam Ayyappa“!
Draksharama, near Ramachandrapuram in Andhra, was originally a Buddhist chaitya, which was later converted into a Hindu temple. The Linga is said to be one of the Ayaka Stambhas of the original Chaitya. The Buddhist temples in Andhra have the five vertical pillars made of white marble, which are believed to represent the five major incidents in the life of the Buddha. In the Garbha Griha of the Amareswara temple of Amaraviati (Guntur district, Andhra), there is a typical white marble lotus medallion slab of this type.
The seven Rathas at Mahaballipuram had been built by Buddhists and the sudden abandonment of the unfinished Rathas could have been due to the persecution of the Buddhists, as the Kalabhras gradually lost their political power..
One more example is the temple of lord Mallikarjuna at Sirisallam in the Nallamalai hills, which is claimed by both Hindus and Buddhists, and is believed to be another Buddhist shrine in Andhra, pre-dating the Mahayana developments in the region.
At Ellora in Maharashtra, we can see very clearly where Buddhist caves had been later converted to Saiva temples.
Dr Radha Banerjee, reviewing the book, ‘The Econography of Avalokitesvara in Mainland South East Asia’ says, ‘He ( Avalokitesvara) is a lamp for the blind, a sun shade for those scorched by the sun, a father and mother to the unfortunate. He is also a physician with great healing powers. Avalokitesvara is also said to possess the traits of the Vedic Purusa, Siva, Indra, Vishnu and Surya, which has helped to bridge the gap between the Hindu and Buddhist faiths’.
Though Hinduism is not known for religious persecution, there had been a few unfortunate incidents in the past, and a few incidents recently which were of course politically motivated, and had nothing to do with the faith of the people.
Perhaps what we should study is the fantastic religious tolerance found in India, among all the different sects and faiths engulfed within Hinduism, to find ways for such tolerance among the Buddhists and Hindus in Sri Lanka.
Buddhism is and always should be far more tolerant than even Hinduism.